Mon 31 Jul 2006
People Hearing Without Listening…
Posted by anaglyph under Philosophy, Sound, Words, Work
[9] Comments
Even though that last story was told as an amusing anecdote, it points, as some of you quickly realized, to some fundamental and important ideas about sound and the way we perceive it.
The question “What if we could have the sound of nothing, rather than silence?” is not a question about sound. It is a question about psychology. Many questions about sound are.
My director continued:
“What I mean is that sound, you know, when you’re out in the middle of nowhere and there’s nothing there… You know, not silence, but an absence of sound.”
And, although there’s a complete logical stump-jump here, I do in fact know exactly what he means.
Of course there is no such thing in the natural world as ‘an absence of sound’.
The quietest natural environment in which I’ve ever been was a cave in Jenolan in Eastern Australia. I was helping some friends complete a geographical survey. They were also divers, and needed to survey a section of the cave that was underwater. I couldn’t help much with that part of the exercise so I sat in the cavern as they disappeared into the inky black water and listened as their scuba bubbles trailed off into… silence.
There was no sound. No water lap, no dripping, no wind, no airconditioner, no next-door tv, no conversation down the hall, no computer drives, no distant traffic. Nothing. After a while, if I moved, any little noise I made sounded unnaturally loud. It was dead, dead quiet. Silence. Well, no actually. Not silence. I could hear my breathing. I could hear my blood moving. I could hear my heart beating. Wow, after a while it was actually noisy. I knew at that moment that human beings never, ever know true silence.
But we nearly all have some experience of that deep contemplative quietness of nature, or the dark black hush of the early morning hours, or the unbearable silent weight of gaps between speech at a funeral.
The question my director is really asking, then, is a different one: “Is it possible for us to have our audience feel that kind of mental silence within the bounds of what we are doing?”
And the answer, in my educated opinion, is that in this particular excercise we will achieve that effect. Because it’s not about the sound we put there, in that place where silence is, but rather, how we get there and what we have encouraged people to be thinking at that time.
Listening is only partially about hearing.
If you want to know what the sound of nothing sounds like, just listen to George Bush give a speech.
“The quietest natural environment in which I’ve ever been was a cave in Jenolan in Eastern Australia.”
Bro,I’ve been in that cave! Me and my duck! Boy did she make a ruckus.No echo though.
For me the association of silence is from two forms of hunting. One of the most powerful for me is the random, broken silence of a ship’s wake, the other is the incredibly annoying ringing in my ears when I’m trying to maintain absolute silence listening for game.
To continue in the same vein, the second or so after you shoot and the shot impacts you really can’t hear shit.
HECK, Revrend! I thougt you was gonna tell us you atchually heard th musick of th spheres wile sittin in that cave!
It’s very difficult to remove the chatter in your own head, let alone from other people’s.
jmf: That’s more than nothing – that’s vacuum.
Wool Ph’mahn: Ah, so that’s what those mysterious cave-paintings were all about.
Casey: One proven technique to evoke ‘silence’ in the illusory world of film, is to draw on the Predator/Prey Response. It’s a simple trick but it nearly always works. It goes like this: you put in some kind of persistent sound that the audience will fail to notice (like crickets chirping, or a low-level wind in trees). Let that build for a little bit, and at the right moment, remove it. Primitive instincts will leap to the fore and put you subconsciously into a hyper-listening mode. (The usual next step these days is to then make a very loud sound so that everyone jumps and screams. This is rather jejune in my opinion). You can in fact keep an audience in this state for a long time if you’re clever. It rarely happens anymore.
Joey: I didn’t hear any musical spheres down that cave, but I did see some perfectly formed ooids in their natural state. It was remarkable.
Reese: The chatter in my head is so loud that I often get asked to leave the cinema.
I have memories of being a small child lying terrified in the dark at night, the silence pressing in on me like an active quality…
Be thankfl there wernt no graboids down there, Revrend.
Yes, I am very thankfl…