Mon 13 Jul 2009
No Phone! No Lights! No Motor Cars!
Posted by anaglyph under Sound, Travel, Work
[18] Comments
It has to be said that I have a pretty cool job. Over the years people have paid me to do all kinds of things that I would have happily done for free. Or even paid for myself. I’ve been paid to meet Spike Milligan. I’ve been paid to go to the top of the Sydney Harbour Bridge. I’ve been paid to have a 70 piece orchestra perform some of my music. I don’t tell you this by way of boasting – I say it only because I marvel at the wonderful experiences that life has brought my way.[tippy title=”*”]Lest you think it’s all been beer and skittles, I’ve also been paid to record to a knee operation, stand on a beach in New Zealand in sub zero temperatures for most of the night and visit the scene of a freshly-committed domestic murder – none of which I desire to do again.[/tippy]
Next week, some nice people are paying me to journey to Masthead Island, a completely pristine South Pacific island near the southern tip of the Great Barrier Reef. I am going there to record sound material for a new Australian feature film for which I’m composing music.
This is where Masthead is, in relationship to mainland Australia:
Masthead Island is a coral cay, and protected part of Capricornia Cays National Park. It takes two plane trips and two boat trips – the better part of a day’s travel – to get to there from where I live. There is no power on the island, no water and no shelter. The maximum number of people allowed on the island at any one time is 25. We will be about an hour’s fast boat ride from the nearest settled place.
This is my ‘lightweight’ recording kit. I’m taking my Zoom H4N digital recorder, and my sturdy RØDE NT4 (‘the rodent’) stereo microphone with its ‘fluffy dog’ windshield. There have been astonishing technical changes in my field since I started my career; the little Zoom recorder will allow me to record more than 6 hours of very high quality audio[tippy title=”†”]24bit/48k for all you tech heads – I can record at even higher and stupider levels of quality, but it would truly be a case of gilding the lily.[/tippy] on a 4g SD flash card. I’m taking 4 x 4g cards on this trip (and a big box of batteries, needless to say). 24+ continuous hours of recorded sound is more than enough for the 3 days I’ll be on the island.
When I first started in this business, the recording machine du jour was the Nagra 4 – a mono, reel-to-reel quarter inch tape recorder that cost a small fortune (I could never afford to own one) and weighed 6.4 kilograms (14lbs) with batteries. And that doesn’t include tapes, which typically allowed just 15 minutes of recording at the best possible quality. So, add another 4 kilos worth of tapes and mics and you can see that location recording was once a very weighty proposition. Lugging a Nagra around on a film shoot was almost guaranteed to give you back problems for weeks afterward.
My entire modern kit, including headphones, cables, microphone, windshield, recording media and enough batteries for a week, weighs less than half the weight of the Nagra recorder alone.
So. Off I go. It’s slightly daunting to be working somewhere so far from any modern facilities. There’s little tolerance for equipment malfunction so I’m relying on my tiny kit to hang in there. I’m nervous that I can’t back up any of my recordings immediately to disk as I do under normal circumstances. And I’m hoping that the production company, which is supplying our food, water and lodgings, hasn’t forgotten anything.
But I’ve met the rest of the crew and they seem like a decent bunch. And really, what could possibly go wrong?
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*Lest you think it’s all been beer and skittles, I’ve also been paid to record to a knee operation, stand on a beach in New Zealand in sub zero temperatures for most of the night and visit the scene of a freshly-committed domestic murder – none of which I desire to do again.
†24bit/48k for all you tech heads – I can record at even higher and stupider levels of quality, but it would truly be a case of gilding the lily.
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18 Responses to “ No Phone! No Lights! No Motor Cars! ”
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If one of ’em tells you to walk towards the light, it’s a trap.
Number 9! Number 9! Number 9!
Atlas: That’s scary.
Malach: I’m sure that made sense in some universe.
If any of your equipment fails, you can just make some more out of coconut shells and plaited flax fibre
Isn’t that Island an old pirate’s haven?
AAAARRRGGGHHHHHH
The King
They strung em up by the masthead!
GRRRRR me hearties.
The King
I noticed that you didn’t say “No Ghosts”.
The King
I have been hoping to ask someone about the H4N. How would you say it stacks up to other handhelds? I don’t really give a shit about the onboard effects or any of that crap, I just want something that could reliably pick up and record acoustical coolness without needing too much accoutrement.
Have you given the H2 a shot at all?
Cissy Strutt: [Hits forehead with palm of hand] D’oh! Obviously!
King Willy: I will be sure to keep a lookout for pirate ghosts and make a suitable recording thereof.
Casey: The H4N is certainly the best handheld I’ve had cause to use. I have a little Microtrack, which is great because it’s so tiny (it looks like an MP3 player to most people, and I have a set of dummy headphones that are actually microphones – this rig allows me to record atmospheres in public places without punters walking up in the middle of the recording and saying ‘Oi – what channel are you from?’). The main problem with it is that it has an inbuilt rechargeable battery which is a pain. Oh, and also no mics of its own. But it also does up to 24bit/96k and I’ve gotten some good use out of it. I had a chance to play with the Sony PCM-D50 which looks like a great machine, but I refuse to buy one on principle because Sony insists on using its proprietary (expensive) Memory Stick media rather than SDs.
The H4N is a much better machine than the H2 – for a start it’s sturdier and I believe the battery life is better (the H4N claims 11 hours in ‘Stamina’ mode – it’s pretty hard to get an accurate real-world estimate, but the batteries do seem to last an awfully long time).
The H4N inbuilt mics sound better to my ears – they are very useful for most fx situations, although I would not probably use them for music or voice. But the great thing is that the unit accepts external mic inputs through 2 x XLRs and will even supply phantom power (although I suspect this will drain the batteries pretty rapidly). One very cool feature is that you can double up the internal mics with externals and record 4 simultaneous audio tracks – great for surround recordings.
The claim is that the machine will work with 16g SD cards, but I tend to stick to 4g. It’s a case of chickens in baskets – I figure that if one card goes AWOL I don’t lose everything.
This trip will be the most intensive use of the recorder that I’ve made, so I’ll be able to give you more info on my return!
I woke up smartly when you said chicken in a basket. Thanks.
Do you need someone to carry The Spawn?
Casey, you should check out the Sony D-50 as well, great little machine!
The King
Cissy Strutt: Oops. Meant to say ‘eggs’. But which came first? Anyway, now we have a lunch menu.
Pil: The Spawn is not allowed.
King Willy: Er… see my comments above. Nice machine, stupid Sony.
Roughin it …
Travlin wifout yer Pear cables …
You mus be bside yerself …
I guess you need more memory than me Rev, nice sounding machine though the d-50, really noice. I guess the battles I’ve recorded only last an hour or so, I just don’t have the army I used to, sniff.
The King
A three Hour tour, a three hour tour……..
Have fun
S.
Lucky duck! Lemme think … how many beautifully deserted islands have I been to, much less paid to go to?
Goosegg, mate. (yeah, I used mate in American-emulation of Aussie talk)
Get lots of good stuff. Can you incorporate into a new recording of your own, or is it strictly licensed to the movie?
btw, isn’t that the island where the only known species of land-sea sharks dwell? Come out of the water after dark looking for recording freaks?