Blurry Cars

The Reverend’s Adventures in Advertising, Episode 2.

The advertising world has many peculiar little niches and enclaves, and one of these is the realm of the Car Commercial. Cars are to advertising agencies as cows are to Hindus – sacred beings that are talked about in hushed tones and showered with rose petals.

I’ve done the music and sound for a number of car ads and I don’t think any one product ever gets as minutely scrutinized and picked over as the automobile. And almost invariably, after the ad agency creative directors have finished conjuring up hyperbolic pitches full of unbelievable superlatives and interminable drivel, the majority of car advertisements end up being nothing more than pretty pictures of the car in question driving around winding country roads. All the client ever cares about is seeing pictures of the car. Car car car. They can’t get enough of their car. No matter how clever the copy, or how novel the conceptualization, all they want to see on that screen is pictures of the car. What’s more, they fool themselves into thinking that everybody else thinks their car is as fascinating as they do too, and in this they are, for the most part, completely wrong.

One particular car ad that came my way was no exception. As usual, it began with a phone call from the ad producer:

Producer: Hi. We’ve got this great spot that we’d love you to look at. It’s got your name written all over it!*

Me: Uh huh. What’s the skinny?

Producer: W-e-e-e-l-l-l, I can’t tell you too much about it over the phone. The concept behind this one is ultra top secret.

Me: Right. Well, I’d like to know something about it before I commit to it…

Producer: OK, I have some storyboards that I can send you, but it’s super confidential.

Me: No problem. Mum’s the word.

Producer: So if I fax them over now, can you make sure you stand next to the machine. Don’t let anybody see them.

Me: O-k-a-a-y.

Producer: Promise that you’ll stand next to the machine and take them off straight away.

Me: I promise.

Producer: Because this is really Top Secret. It’s all very hush-hush. We don’t want news of this idea getting out before we have it ready to go.

Me: Sure. I understand. Super Ultra Spy-Level Top Secret. I’ll read the boards and then eat them.

Producer: I’m sending them right now. Stand by. [Hangs up]

I wait expectantly by the fax machine. The pages of the storyboard slowly peel out. First frame: a car drives down a country road. Second frame: a car drives over a hill. Third frame: a car drives through a tunnel. Fourth frame: a car drives over another hill. Fifth frame: Closeup – a car taking a bend. And so on.

I think of a possible way I could leak this to the media: “You’re never going to believe this – their car can turn corners! And it’s got wheels. Yup, that’s right, FOUR of the danged things. Underneath. Yessiree. I swear on a stack of bibles – I’ve seen the badly-drawn pictures.”

I didn’t do the ad. I think they saw me as a security risk.

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*This line is usually followed by “We don’t have a lot of money for this one…” In this case it wasn’t.

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